The Awning

 


The rain came without warning, the way the best things do.

One moment the sky was the color of old pewter, heavy and considering, and the next it had made up its mind entirely. Mara had just stepped out of the bookshop — a paper bag pressed against her chest, a copy of Anaïs Nin tucked inside like a secret — when the sky opened and she made a run for it, ducking under the green-striped awning of the bakery three doors down.

She was not alone.

The girl was already there, laughing at herself, pulling a pair of rain-speckled glasses from her face and wiping them on the hem of her shirt with the unselfconscious efficiency of someone who'd been doing it since the fourth grade. She was tall and slender in the way of someone who moved a lot and ate when she remembered to — long-limbed, easy in her body, the kind of girl who probably looked elegant even doing something unglamorous. Her hair was dark blonde and thick, pulled back in a low knot at the base of her neck, but the rain had found the loose pieces and laid them against her throat and jaw in pale curling tendrils she didn't seem to notice or mind.

She wore a soft flannel shirt with the sleeves rolled to the elbow, open over a plain white tee, and boy shorts that hit mid-thigh, and leather sandals that had seen considerable mileage and been resoled at least once. Her legs were long and honey-brown — not the bronze of someone who'd chased the sun, but the deep settled warmth of someone who'd simply been outside all summer, working, moving through the world with their hands.

She looked, Mara thought, like a girl who knew how to be gentle with living things.

She put her glasses back on and turned, and found Mara looking at her, and her expression opened into something unhurried and good-natured. Behind the lenses her eyes were green — the complicated kind, with something older than her years living quietly inside them.

The awning was not quite wide enough for two people trying to maintain any reasonable sense of personal space.

"Sorry —" the girl said, shifting to make room, still smiling. She smelled like rain and clean skin and something faintly warm beneath it, the way sun-dried cotton smells when it finally comes in off the line.

"It's all right." Mara pressed back against the bakery window. "There's enough awning for two optimists."

The girl's smile shifted — became more deliberate, more curious. "Optimists?"

"Anyone standing under six inches of canvas waiting out a Kentucky downpour."

That laugh. Low and easy, coming from somewhere unhurried. It did something to the base of Mara's spine.

"Fair point." She pushed a loose strand of dark blonde hair from her jaw without thinking about it. "I'm Josie."

"Mara."

They shook hands, which was absurdly formal for two women pressed hip to shoulder in the rain, and Josie's grip was warm and unhurried. Her fingers were rough at the tips — callused, work-honest — but her hand was slender, fine-boned, the kind of hand that looked like it belonged to a painter until you felt what it had actually been doing all summer.

She noticed Mara's bag. Tilted her head slightly in that way people do when they're reading, like the angle helps. Her glasses caught a pale reflection of the wet street.

"I was just in there," Josie said. "Didn't buy anything. I always do that — spend an hour in a bookshop and leave with nothing like some kind of monster."

"What were you looking at?"

"Poetry, mostly. Then I got distracted by the display in the window." Her eyes dropped to Mara's bag with an expression that was not subtle and did not try to be. "The Anaïs Nin collection."

"Did you pick it up?"

"Picked it up. Put it down." A beat. "Picked it up again."

"Why'd you put it down?"

She considered that with what seemed like genuine seriousness, one thumb hooked in her front pocket, rain curtaining off the awning edge six inches from her shoulder. Thunder somewhere to the west, rolling toward them like a slow suggestion.

"Felt like something I'd want to read in private," she said finally, and the directness of it — no coyness, no performance, just a plain and honest answer — landed somewhere low in Mara's chest.

"Why did you buy it?" Josie asked.

"Because I've read it before and I wanted to read it again." She let that settle without apology. "Some books are worth returning to."

Josie looked at her fully then. Really looked, the way people rarely do, with her whole attention and no visible embarrassment about it. Close enough that Mara could see the rain caught in her lashes behind the lenses. Close enough to feel the warmth the girl carried on her skin the way people do when they've been outdoors and useful all day.

"How old are you?" she asked, and it wasn't rude. It was direct, and directness, Mara had always believed, was its own form of intimacy.

"Forty-five."

Josie nodded, slow and thoughtful, like that was an answer to a question she was still forming. Her eyes hadn't moved from Mara's face.

"Do you live nearby?"

The rain deepened around them, filling the street with its grey-white noise, the whole town going soft at the edges.

"About four blocks," Mara said.

"That's not very far."

"No," Mara agreed. "It isn't."

The air between them had become something neither of them was pretending not to notice — a specific and unhurried tension, like a long note held just past where it was expected to resolve.

"I have wine," Mara said, as though that were simply information and not an open door. "And I have that book, since you kept picking it up." She held Josie's gaze for one calm, deliberate moment. "And the rain doesn't look like it has any intention of stopping."

Josie looked out at the drowned street. The leather of her sandals was dark with water. A strand of hair had come loose again and she let it alone this time, let it lie against the warm column of her throat.

She looked back at Mara.

Her smile was slow, and sure, and lit with something that had very little to do with getting out of the rain.

"No," she said quietly. "It really doesn't."

They stepped out from under the canvas together without discussing it, without any formal agreement, the way you step into something that has already been decided by a quieter part of you.

The rain had softened to a steady pour rather than a downpour — still enough to soak through, still enough to justify almost anything. Mara turned up the collar of her jacket. Josie did nothing at all about the rain, just tipped her face slightly down against it and walked, hands loose at her sides, entirely unbothered by being wet in the way of someone who spent most of her time at the mercy of weather and had long since made her peace with it.

They walked close. Not touching. Almost touching.

The town had gone quiet around them, the rain emptying the sidewalks, muffling the street noise into something distant and soft. Their footsteps were the loudest thing. Mara was aware, with a precision that was almost architectural, of exactly how many inches existed between her shoulder and Josie's arm.

"Do you go to school here?" Mara asked. She wasn't sure why she asked. She knew she was asking to hear her talk.

"UK," Josie said. "Junior year. Environmental science." She paused. "I work on a farm outside of town the rest of the time. Semester breaks, summers. It's —" She glanced over, a small sideways look, rain on her glasses. "It probably explains a lot about me."

"It explains the hands," Mara said.

Josie looked down at them briefly, as if she'd forgotten she had them. "Yeah." A quiet laugh. "It explains the hands."

They turned a corner. Two more blocks. Mara was in no hurry and was also, at the same time, profoundly aware of every step.

"What do you do?" Josie asked.

"I teach literature. At the community college." She paused. "It probably explains a lot about me too."

"It explains the Anaïs Nin."

"Does it?"

"A woman who teaches literature and buys Anaïs Nin in the rain." Josie's voice was warm, considered, unhurried. "Yeah. It tracks."

Mara laughed despite herself. It had been a while since someone had made her do that — laugh from somewhere genuine, somewhere unguarded. She was forty-five years old and she was walking through the rain next to a nineteen-year-old girl with callused hands and dark blonde hair coming loose from its knot, and she felt, with a clarity that was almost alarming, entirely awake.

"Here," she said.

The house was narrow and old, a craftsman with a deep porch and window boxes that had gone to seed for the season. Mara took her keys from her jacket pocket and had a brief, absurd moment of fumbling them, which she did not acknowledge and Josie politely did not notice. The door opened into warmth and lamplight and the particular smell of a house that was full of books — paper and dust and something faintly herbal, dried lavender somewhere, a candle burned down to nothing earlier in the week.

Josie stepped in behind her and stopped just inside the door, looking around with that same quality of attention she'd turned on Mara under the awning — unhurried, genuine, taking things in without performing the act of being impressed.

Books were everywhere. Shelves built into every available wall, stacks on the side tables, a pile on the bottom step of the stairs with a coffee cup ring on the top one. A worn velvet sofa in deep green. Lamps with warm bulbs. A large window looking out at the rain-grey garden, drops tracking down the glass in slow crooked lines.

"This is exactly what I thought your house would look like," Josie said softly.

Mara turned from where she was shrugging off her jacket. "You were thinking about my house?"

A beat. That small, certain smile. "I was thinking about you."

Mara hung her jacket and did not let her expression do everything it wanted to do.

"Wine," she said. "Sit down."


The kitchen was separated from the living room by nothing more than a low counter, open and visible, and Mara was aware the whole time she opened the cabinet and took down two glasses and pulled the cork from an already-open Malbec that Josie was watching her. Not restlessly. Not with impatience. Just — watching. The way you watch something you're not ready to stop looking at.

She brought the glasses over. Josie had settled on the sofa with one long leg tucked under her, her sandals left at the door without being asked, which Mara found she noticed and appreciated without knowing quite why. Her glasses were dry now, slightly smudged with rain, and she'd let her hair all the way down — unself-consciously, simply reaching back and pulling the elastic free, dark blonde waves falling past her shoulders, a little wild from being pinned up wet.

Mara sat. Not at the far end of the sofa. Not pressed against her. Somewhere in between — the honest distance, the distance that didn't pretend there was no pull while not yet surrendering to it.

She held out a glass. Josie took it and their fingers didn't quite touch and that almost-touch registered in Mara's chest like a struck note.

"Thank you," Josie said.

"For the wine or for the invitation?"

"Both." She looked at her over the rim of the glass as she drank, green eyes steady and warm. "They came together."

The rain moved against the window. The lamp on the end table cast everything in amber. Mara thought, not for the first time, that desire at forty-five was nothing like desire at twenty-five — it was quieter, more specific, more honest with itself about what it was. It didn't perform. It simply knew.

And what it knew right now was this girl beside her, warm and unhurried and smelling of rain and summer skin, turning the wine glass slowly between those careful, callused hands.

"Can I ask you something?" Josie said.

"You can ask me anything."

She turned her head on the sofa back to look at Mara directly. Her hair lay loose against the green velvet. Her feet were bare now, long-toed, the tops of them still honey-dark from the sun.

"Do you do this often?" she asked. Not accusatory. Genuinely curious, genuinely wanting to know. "Bring someone home."

Mara considered her for a long moment.

"No," she said. Simply, honestly. "I don't."

Josie held her gaze. Something in her face settled, softened, like a question that had gotten the answer it was hoping for.

She reached over and set her wine glass on the coffee table. Then she turned back, and drew one knee up onto the cushion between them, and looked at Mara with those complicated green eyes from a distance that was no longer quite the honest distance — that was, in fact, a different kind of distance entirely. The kind that is not really distance at all.

"Tell me about the book," she said softly. "Read me something."

And her voice had gone low and unhurried and full of everything neither of them had said yet.

Mara looked at her for a long, still moment.

Then she reached for the book.

The book lies open between them, its spine cracked from years of devotion, the pages thin as cigarette paper. Rain taps against the dark windows, a rhythm that feels like permission. Mara's fingers trace the lines, her voice low and unhurried, each syllable measured out like a controlled substance.

She reads: I am in a state of such longing... such deep hunger... The words settle into the space, heavy as smoke. Josie's wine glass hovers near her lips, forgotten. She watches Mara's mouth form each word — the way her tongue touches her teeth on the th, the slight parting of her lips on hunger. The professor's dark hair, still damp from the rain, clings to her neck; her silk blouse, unbuttoned one notch too many, reveals the shadow between her collarbones. Josie feels the couch beneath her thighs, the rough weave of it grounding her as the room seems to tilt.

Mara's voice deepens. ...I want to be devoured. She closes the book but leaves her hand on the pages, a claim. When she looks up, her eyes hold Josie's without mercy. The distance between them is maybe six inches, but it feels like a fault line.

Josie leans in first — she has never been good at waiting — and Mara meets her halfway. The kiss tastes of merlot and rain, and something else: the metallic tang of transgression. Mara's hand finds Josie's jaw, thumb pressing beneath her chin, tilting her head just so. Her other hand slides up the girl's denim-clad thigh, fingers pressing into the muscle there — not gentle, not asking.

Josie gasps into Mara's mouth, a sound that seems to surprise them both. Mara pulls back just enough to see her face, searching for hesitation, finding none. She stands, pulling Josie up with her — rougher than she intended, maybe, but the room is spinning now. They stumble past the coffee table, the wine bottle tipping but not falling, and into the dark hallway where the only light is the amber glow from the living room behind them.

Mara's bedroom door is open.

Inside, the air is cooler, thick with the scent of old books and sandalwood. The professor pushes Josie against the doorframe, her body a solid line against the younger woman's, and this time when they kiss there is no pretense of tenderness — only teeth, tongue, the desperate friction of skin against silk against denim. Rain pounds the roof like a demand.

Josie's glasses are crooked. Mara straightens them with two fingers, a gesture so deliberate, so unhurried in the middle of all this want, that it stops them both for just a moment — a held breath, a last look at the edge of something before going over.

Josie's hands find the hem of Mara's blouse.

Mara reaches back and closes the bedroom door.

The rain does not stop. It has no reason to.